Review: Nars Radiant Creamy Concealer

On a recent trip to the kingdom of shopping that is Manchester’s Trafford Centre, I thought it was high time I ticked some items off my wish list – the Nars Radiant Creamy Concealer being one of them.

This might as well be dubbed “the ultimate concealer,” claiming to hide all blemishes, brighten all dark circles and even all complexions. And, they’re right. Believe the hype – this stuff is the holy grail.

Colour:

For a long time now my go-to concealer has been MAC’s Prolongwear in NW15 but, despite being amongst the lightest colours offered by the brand, it’s still just that smidgen too dark and doesn’t brighten up the eye area as I would like. When searching for a concealer that would both cover and brighten, Nars’ offering was a constant favourite amongst bloggers, particularly for pale skin.

‘Chantilly’ is described as a “true ivory shade,” but this doesn’t do justice to how gorgeous it is. It is a pure, porcelain colour like no other concealer I’ve seen before, with only a hint of yellow (great for countering those blueish bags and veins). The formula’s light diffusing technology uses tiny mineral particles to reflect light away from those problem areas making the skin appear brighter and fresher. I found that this worked particularly well under the eyes (I’m super paranoid about under-eye circles) and helped to take the redness out of angry spots – sadly no one has invented a concealer that will remove the huge lump thats left behind though 😦

You only have to google colour swatches to see that ‘Chantilly’ stands alone as a wonderfully light concealer. The closest colour-match I can find is Collection’s Lasting Perfection in ‘Fair,’ which is hugely popular amongst those with fair skin (especially as it is only £3.99). With a difference of £18, however, this is where the comparison ends.

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Coverage:

Retailing at £22, the concealer’s expense is truly seen in its amazing coverage and lasting finish. The formula really is ‘creamy:’ luscious and pigmented enough to provide medium to full coverage, but not too thick as to look heavy and cakey.

Nars claims that the concealer is ‘buildable,’ but I would beg to differ. This isn’t exactly a negative as the concealer is opaque enough to provide great coverage with just one coat, but too many applications can reverse the buttery texture and begin to look thick and claggy. This issue is easily avoided with the help of the sponge applicator which gives you greater control over where the product is placed, reducing the risk of applying too much or wasting the excess (unlike MAC’s overly generous pumps!).

11004055_10152607401631128_1132074150_n Finish: 

The concealer blends well with a Beauty Blender, but I find that a brush is best to spread the mixture evenly across the skin and really focus on those areas that need some extra tuning. As you can see from the picture above, the finish is a lovely ‘barely there,’ semi-satin one.

Whereas other concealers begin to break down after 5-6 hours, you can guarantee that Nars’ concealer will stay put, but what it does do, perhaps inevitably, is settle into fine lines. This can be limited with a decent primer, but I doubt there will ever be a concealer that doesn’t find it’s way into those little cracks and crevices. A few creases under the eyes and around my laughter lines isn’t too much to expect after a long day at work, I don’t think.

Would you invest in Nars Radiant Creamy Concealer?

Hope you like!

Molly x

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My First Purchases From NARS: Audacious Lipstick and Eyeshadow

In my local Selfridges store, the Illamasqua counter is only metres away from the NARS counter, but it had never troubled me to go to ‘the other side’ until my last visit when I caught sight of the Audacious lipstick stand.

I’d seen numerous blogs raving about them, so I thought I’d pop over and have a cheeky swatch. And that was that. I fell down the rabbit hole into a beautifully luxurious NARS-y wonderland.

Well, almost. The three sample lipsticks that caught my eye were decidedly chewed and when I summoned up the courage to buy one without testing it, I was told there was none left in stock. Frustrated and geared up to buy something, I looked over the eyeshadows, found the one I fancied, and was told that, again, there was no stock.

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Eyeshadow in ‘Strada’ (£18.50) and Audacious Lipstick in ‘Anna’ (£24)

I looked e.v.e.r.y.w.h.e.r.e and eventually found them on ASOS’s site, two days later and here they are!
Packaging

As I opened the delivery box, the first thing I noticed was the size and weight of the products. The lipstick is the same shape as my Illamasqua ones, but bigger and heavier (!). It feels like a superior, quality, expensive product. The eyeshadow, too, sits in a smart, compact clam-shell style box with a cute little mirror on the inside. The only issue is its rubberised coating which shows mucky fingerprints like WOAH.

But the lipstick, in particular, is finished with little touches that makes it just that bit better than the other mid-range brands. The lid is magnetised – a handy little extra which means there’s no chance of it falling off in your handbag – and the actual lipstick is engraved with the NARS logo, which might add nothing to the product itself (especially when you’ve used so much that it begins to read ‘ARS’) – but it feels special all the same.

Colour

It was verrrrry difficult to decide what lip colour to go for; the line has 40 shades in total from the lightest nude to the deepest purple – there is a colour for every style and occasion. I’ve got a thing for dark reds/deep plums so was instantly drawn to Charlotte and Ingrid, but with Spring fast approaching, I thought it would be more worthwhile to invest in a light, versatile colour.

2015/01/img_0495.jpg After much deliberation (I even thought about blowing my wages on the whole collection at one point), I chose Anna. I’ve read quite a few descriptions on the internet where Anna is called a ‘smoky rose.’ I can see what they mean… kind of. To me, ‘smoky’ suggests dark, warm colours, like MAC’s Smoked Purple, but Anna is actually a medium, cool-toned, pink-mauve shade. It is the perfect pink; not pastel, not Barbie, but somewhere in between.

Unlike the lipstick, I didn’t choose Strada, Strada chose me ❤ It is an absolutely beautiful eyeshadow unlike anything I’ve seen before. Pastels are set to be big this Spring and many brands have released their own lilac shadows in various hues, think Illamasqua’s Creep. What is unusual, however, is Strada’s gold shift. I’ve never thought to pair lilac with gold, but assumed its cool tones would work better with an equally cool silver highlight, like Sugarpill’s Frostine. The fine gold shimmer that runs through this shadow is not only unique in itself, but also gives you more freedom to experiment with the rest of your makeup, creating new combinations of cool and warm colours.

2015/01/img_0502.jpg Application

The lipsticks in the Audacious range are dubbed as the ‘one-stroke’ wonders, so highly pigmented that there’s no need to swipe your lips more than once. I was sceptical as my lips can sometimes be a little dry meaning that one coat can look quite patchy. But it is actually true! With one coat, my lips were covered! The colour wasn’t as strong as I would have liked, but they really were covered. I tend not to apply more than two coats before I am happy with the intensity of colour and the even coverage. Anna has a lovely buttery texture that allows the colour to transfer easily to the lips, but its semi-matte finish means that – without going wild at the buffet – it can stay put for almost 4 hours before wearing away from the centre of the mouth.

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Strada, on the other hand, isn’t so pigmented. I think I’ve been spoiled by the colour-rich, crazy pigmented shades like those of Illamasqua and Lime Crime, but it certainly takes a lot more effort to bring out it’s gorgeous colour. This could well be because it is a shimmer rather than a matte shadow as shimmers are notorious for not having such a strong colour pay-off. In the picture shown below, I applied around three coats of the shadow with a soft blending brush. As it turns out, this shadow doesn’t respond well to foiling; wetting the mixture brings out the shimmer more so than the colour. To achieve the most true colour, I’d recommend using a white/extremely pale eyeshadow base instead. NYX’s Jumbo Eye Pencil in Milk (my hero) is perfect for this.

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The intense gold colour is Illamasqua’s Furore, see my earlier blog post on pure pigments.

These won’t be my last purchases from NARS. In my opinion, the tangible quality of the products makes that extra £5-£10 well worth it. I’m already trying to choose my next lipstick, Anita or Bette?

What are your favourite NARS products?

Hope you like!

Molly x