Anastasia Beverly Hills ‘Sun Dipped’ Glow Kit

My obsession with illuminators knows no bounds and the ABH Glow Kits are by far the highlight of my collection. The newest addition? The ‘Sun Dipped’ Glow Kit, released just last month.

Following the model of the two previous palettes, ‘Sun Dipped’ contains four large pans of metallic powder, but the shades inside are entirely different to those of its predecessors. While ‘Gleam’ was largely cool toned, and ‘That Glow,’ warm, ‘Sun Dipped’ is a perfect combination of the two.

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Claudia Soare, known as Norvina on IG (@norvina1), says that the kit is ‘reminiscent of summer. It represents the sun in various stages of the day, various places in the world, and items that reminds us of summer.’ And it’s true, including shades evocative of both pearly moonbeams and the dazzle of bright midday sun.

Shades:

-Bronzed: ‘amber with a penny metal finish’

-Summer: ‘luminous sand with a white gold finish’

-Tourmaline: ‘warm taupe with a rose gold finish’

-Moonstone: ‘radiant quartz with a pearl finish’

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Colour Range:

The combination of pearls, taupes and golds in this palette make it even more universal than the previous two. Though ‘Moonstone’ and ‘Summer’ are very alike, they do appeal to different tastes, the first having only a slightly cooler cast than the second. Fans of ABH Illuminators – now extremely hard to get hold of – will find that ‘Moonstone’ is very (very!) similar to ‘Starlight,’ a favourite for those with fair skin, and that ‘So Hollywood’ is reborn in the shade, ‘Summer.’

‘Bronzed’ is a touch too dark for my skin tone, but it can be layered over bronzer for an ultra sun-kissed vibe. And, for a sucker for warm tones like myself, it makes a stunning eyeshadow, especially with a chocolate brown smoky eye.

I can just about get away with ‘Tourmaline’ on my fair skin, which is lucky because it must be my favourite shade ever. It’s such an unusual combination of cool and warm tones, much like the ‘Riveria’ Illuminator, a rose gold. Depending on your skin tone, it will swatch as either a gorgeous taupe or a gilded pink. Either way, it’s beautiful!

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You can also mix shades to create your own custom highlight; my favourite combination is ‘Moonstone’ and ‘Tourmaline,’ which together create a lovely pink champagne colour. Once I’ve applied a bit of fake tan and some extra bronzer, however, the mix of ‘Summer’ and ‘Bronzed’ will help bring the perfect glow to my holiday snaps! The possibilities, though not quite endless, are many: just dip your brush back and forth between the shades to combine the powders and voilà!

Texture & Staying Powder:

As with the other kits, the powders aren’t exactly creamy, but are rather very finely milled. Though this causes a fair amount of fall-out, they are extremely lightweight and are less likely to cake when layered over cream based foundations or concealers. It takes a few swirls of the finger or brush to really gather up the pigment, but dampening your brush – ideally using a mixing medium like MAC Fix+ rather than water – can really help achieve maximum shine.

Unable to decide between ‘Gleam’ and ‘That Glow’? Then the ‘Sun Dipped’ Glow Kit is ideal for you and makes for the ultimate makeup companion this summer. Will you be taking the plunge? Coming soon to Roses Beauty Store!

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Anastasia Beverly Hills ‘That Glow’ Glow Kit

If 2015 was the year of contouring, 2016 is the year of highlighting. Both Jeffree Star and Nikkie Tutorials have recently taken to Youtube to post full-face looks using only highlighting powders and central to their routines are the ABH Glow Kits.

Released at the end of 2015 to honour Anastasia Soare’s birthday, the palettes continue the success of the brand’s Illuminators, which took the beauty world by storm. And what could be better than one highlighter? Well, four.

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The ‘That Glow’ Kit is the warmer of the two palettes currently available (though we await the release of the ‘Sun Dipped’ version this summer): while the ‘Gleam’ Kit offers rosy, pearl tones, ‘That Glow’ is all about a golden bronze shine. As a pale girl myself, I must confess that I snapped up ‘Gleam’ in an instant, ‘That Glow’ just looked too bronzy, my milk bottle skin wouldn’t do it justice. But, I was wrong. In fact, in my opinion, the ‘That Glow’ Kit is the slightly more versatile palette of the two, even for someone as fair as me.

 

Packaging:

In contrast to the weighty, decorative, luxurious, packaging on the market – the Urban Decay Gwen Stefani Blush Palette, for example – the Glow Kits cardboard casings may be a little underwhelming. That being said, they are very resilient to wear and tear, mostly because they are so slim and lightweight. They can be slipped into a suitcase, handbag or Zuca without taking up much room at all. The pans can also be removed and added to a custom magnetic palette if preferred.

 

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So, the shades themselves:

-Sunburst: ‘a bright luminous gold with a metallic finish’

-Bubbly: ‘a champagne rose with a pearlescent finish’

-Dripping in Gold: ‘a lavish gold with a vivid reflective finish’

-Golden Bronze: ‘a sultry, warm bronze with a gold-flecked finish’

 

Colour Range:

There really is a shade for everyone, and for every possible use on the face, eyes and body. Though ‘Sunburst’ looks very yellow in the pan, on the skin it is less a ‘luminous’ gold than a true champagne that, if not used as a highlight, can be mixed with face powder for that all-over luminosity. ‘Bubbly’ and ‘Dripping in Gold’ are very, very similar in colour, but their respective pink and peach undertones means that they can be layered over top of blush for the ultimate mineralised finish. Lastly, ‘Golden Bronze’ <3. This shade is just too warm for me to use as a highlight, but makes for the most beautiful eyeshadow when paired with neutrals or jewel toned emeralds and navies.

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Texture & Staying Powder:

The powders aren’t exactly soft and buttery, but are rather very finely milled. This means, though there is a fair amount of fall-out, they are extremely lightweight on the skin and are less likely to cake when layered on top of foundation, concealers or other cream-based products. Their intensity is somewhere between Becca and The Balm (swatched below); it takes a few swirls of the brush/fingers to really gather up the pigment. That being said, the powders are buildable and can also be applied with a damp brush – ideally, using a mixing medium like MAC Fix+ rather than water – to maximise their shine.

With summer just around the corner, the ‘That Glow’ Kit is the perfect addition to any makeup arsenal; it is truly a ‘kit,’ not just a highlighter palette, but an eyeshadow/blush/body bronzer set rolled into one.

 

Will you be getting your glow on? Check it out That Glow Kit.

 

*this link will take you to Roses Beauty Store, an online UK makeup stockist. In return for some of the newest releases, I’ll be blogging for them regularly.

 

Review: Anastasia Beverly Hills Artist Palette

In short, my review of ABH’s Contour Kit went something like this: they’re magical, immoveable, wonderful powders in the completely wrong colour. Pale girl problems. So as I saw the Artist Palette, a stunning collection of neutrals and brights, I knew the quality would be top-notch, and now the colours were perfect – I had to have it.

When the package first arrived, being totally honest, I was a little liiiiiitle bit disheartened by the size of the pans. But that’s just me being greedy. Converted from US dollars, this palette costs under half of those produced by Urban Decay and Too Faced, neither of which offer particularly generous amounts of each colour. So for the price (and the quality you get for that price) you can’t moan at this being on the ‘petite’ size.

In my last review I had a little moan about the look and feel of the Contour Kit, but the Artist Palette is different. Well… not by much; it has the same stiffened board casing and magnetised closure, but there’s something sturdier about it. (I even performed the ultimate test of dropping this in the bathtub on holiday to find that no water or bubble bath had found its way inside. Surely the acid test of any magnetised clasp?) In my opinion, the casing is finished to a standard that’s better suited to the eyeshadows it contains, there’s no rough edges, no dents , tears or scuffs. And while the Contour Kit went for the ultra-sophisticated all-black colour scheme, the Artist Palette is decorated with flashes of bright colour as a hint to what’s inside.

Open up the lid and you’ll find 12 beautiful shades ranging from a dusty mauve-pink to a bright, warm yellow. Ordering this palette online, it’s difficult to see the shades clearly; yes, there’s a blue, a green, an orange and a pink, but they’re more complex and dimensional than that.

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Here’s my breakdown of the colours (adapted from ABH’s own descriptions):

-Dusty Rose: think LimeCrime’s ‘Cashmere’ in an eyeshadow, the perfect “griege” with a hint of mauve.

-Aubergine: described as “velvet eggplant,” a deep purple-black.

-Anaconda: the description “shimmery green” does NO justice to this colour and I’m not even a fan of green eyeshadows. This is a true emerald green with a fine gold shift.

-Punch Fuschia: think of a bold, punchy fuschia colour… You got it.

-Buttery: the colour of a good vanilla icecream.

-Blue Velvet: a rich navy. And by ‘rich’ I mean that it’s actually a deep shade of blue, not like some ‘navy’ shadows that turn out as a nondescript dark smudge (I’ve been let down before…).

-Charcoal: described as ‘matte black,’ but I’d argue it’s somewhere between black and deep grey as the name suggests.

-Unicorn: hands down my favourite eyeshadow in the palette and, quite possibly, ever. A heaven-sent periwinkle. Gah, I love it.

-Phresh: a bold canary yellow, another unexpected favourite of mine.

-Baby, I’m a Star: a soft, mid brown with gold shimmer. The ‘meh’ colour IMO (every palette has one).

-Orange You Fancy: the loud, glitzy sister of Orange Soda, a brightened orange shadow with gold sparkle.

-Beigely: A frosted beige much like MAC’s Satin Taupe, but a smidgen warmer.

These swatches were taken with no primer or base, just a dip of the finger and you can see that the colour pay-off is amazing, particularly for the brights.

If I could make some tweaks to these colours to suit my personal taste I would make “Buttery” into a champagne or pearl highlighter shade like MAC’s “Phloof” (the ultimate…). I like my brow highlight to have a subtle satin finish, but “Buttery” is both too cream to show up on my skin and too matte to truly ‘highlight’ anything. As it is, however, “Buttery” is really handy for blending novices as it can be used to buff away harsh lines without depositing any extra colour = magic! On the other hand, I would take the shimmer out of “Baby, I’m a Star.” A matte mid-tone brown like this would be so useful for adding definition to the eye when using light, bright colours and softening harsh lines when using darker colours. Adding the substantial gold sparkle to this shadow makes it quite difficult to use unless it covers the lid in a rather conventional smoky eye. Beyond this, the colour is neither here nor there. With “Beigley” having a similar shimmer, I think ABH could afford to make one of the two super-neutral shades into a matte.

Texture-wise, these shadows remind me a lot of those by Illamasqua or Sigma: they aren’t particularly ‘creamy’ in the pan like those by MAC or Urban Decay, but have a super-fine powder formula. This can be deceiving as it might feel as though the brush isn’t collecting much product or that you’re not applying enough product to the skin, but with only a light sweep of the brush, the colour pay-off is bold and opaque.

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This not only extends the life of the palette (as you need to use very little product), but also helps with the longevity of the shadows on the skin. Creamier formulas can sometimes sit a little heavy on the eyes and can be a real nuisance for those with oily skin types due to sliding and creasing. These light-weight powders are therefore great for adding colour without ‘gunk’ and, with a spot of primer, hold up for 8 hours with very little signs of movement (having tested Beigely and Dusty Rose on my mom, who has oily skin). For dry-combination skin like mine, the ‘powder-y’ nature of these shadows can accentuate any flakiness or fine lines around the eye, so be sure to moisturise thoroughly before use. That being said, these powders could hold up alllllllll day; I actually fell to sleep in the look pictured on the left (whoops!) and woke up to find the lovely periwinkle hue still there.

My faith in Anastasia Beverly Hills is restored!

What do you think of the Artist Palette?

Hope you like!

Molly x

Review: Anastasia Beverly Hills Contour Kit

I really want to love this palette, but I can’t.

Anastasia Beverly Hills is the brand that turns girls into goddesses. First they fixed our eyebrows and now they fix our faces, sculpting cheekbones and jawlines since April 2014 when the long awaited Contour Kit went on sale.

It’s only in the last few months that I’ve truly realised the wonders of contouring and so, ever since, this palette has been at the top of my wish list. Last Thursday I received some particularly good news (more on this in a later post!) and decided to just bite the bullet.

I’d seen pictures of the palette all over Instagram, but expected a little more than what I got. It looks, dare I say it… cheap *wince*

With the image ABH has as a glamourous, luxury brand, I think it would better suit an Illamasqua-esque packaging: an all-black, glossy case made of sturdy, chunky material with a mirror inside, maybe? Instead, the casing is made of a stiffened, matte black card, the type that will scuff and mark quite easily. Oh, and there’s no mirror 😦 I’d actually be happy to pay more than £40 for this kit if the packaging was just that bit more ‘fancy.’

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But, even then, I still couldn’t use it.

Short of extending out a robotic arm and applying the powders for me, I expected them to deliver on every level. And, don’t get me wrong, there’s not a huge hype surrounding this kit for nothing; it seems that what money has been saved on the quality of the packaging has gone into the quality of the powders.

The term ‘buttery’ gets used a lot by beauty bloggers, but these powders really are lusciously smooth. You’d be forgiven for thinking they were cream-based; there’s no fall out and the pigmentation is amazing, even with the smallest dab of the brush. It’s another cliché, but a little really does go a verrrrrry long way. I’d imagine it would be a long time before you needed to buy a refill pan.

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For me, it will be a very very very long time – you could even say forever – as I won’t be using 4 of the 6 shades.

So now for the meaty bit: the colours.

I should have seen this coming. The palette is intended for ‘Light/Medium’ skin and though I fit into the former category, I certainly don’t fit the latter. I’ve seen a number of fair girls pull these shades off beautifully but, on reflection, perhaps they aren’t as pale as I am…

The Face Powders

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As the two matte shades in the palette, I’ve assumed that Vanilla and Banana are the intended ‘face powders’ for setting and correcting. Vanilla, while a lovely colour in itself, should really be called ‘Light Peach.’ In the swatches below I’ve compared Vanilla to Bare Minerals’ Powder Foundation in ‘Fair’ and MAC’s Mineralise Powder in ‘Light,’ the difference is huge. There’s no way someone as pale as I am could use this as a powder; on Saturday, I actually used it in place of a blush!

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I knew when I ordered the palette that I would very rarely use Banana – if at all. If you like the sound of Ben Nye’s Banana Powder (which is quite hard to get hold of in the UK), this would make a great alternative. For me, however, the colour is just too strong to use alone. I tried it as a corrector and it works wonderfully, cancelling out the blueish hues of under eye circles. Just dab it over problem areas and then cover with your usual liquid concealer. But having just bought Bobbi Brown’s corrector (which comes in a paste form), I don’t think I’ll be swayed to choose Banana instead. Powder correctors can turn gummy when used under liquid concealers and, with all the primer in the world, it still manages to crease and cake.

The Highlighter

11091167_10152696530006128_1864087248_nThe last of the three light shades is Sand, a pale nude shimmer. This is by far my favourite colour in the palette; it’s delicate shimmer catches the light in just the right way, it’s in no way glittery but has an almost pearlescent finish. In the photo below, I’ve compared Sand to my current go-to highlighters.

As you can see, the colour is very similar to Illamasqua’s Helios from the extremely popular Sculpting Duo. 

Much like Vanilla, Sand is most definitely a peachy nude, however, the satin finish means even pale girls like me can get away with it, especially when it’s layered over blusher. Ideally, though, Sand would look something more like MAC’s Lightscapade, a more universal champagne shade that suits both cool and warm undertones.

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The Contour Powders:

11081443_10152696529991128_653013877_n  (L-R: Java, Fawn, Havana) Again, I knew when I ordered the kit that I would find little use for Java and Havana, as both are particularly warm browns. But, I thought, with Fawn – a cool earthy shade – to rely on, I could use them to add a touch of warmth when the sun was out and when (if) I caught a tan this summer.

Of course, this depended on me liking Fawn. But I don’t. In the palette, sandwiched in between two russet shades, Fawn looks the perfect grey-brown. On my face, though, it’s still just that bit too orange-y.

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In the photo above, I’ve compared the three colours to other contouring products I own. My go-to shades are Illamasqua’s Cream Pigment in Hollow and NYX’s Blush in Taupe, both of which have a much cooler hue when compared to Fawn. Fawn is a lot like Benefit’s Hoola with the volume turned up. 

I have to be careful to add only a modest amount of Hoola before I tip into Tango territory, so Fawn is all the more risky for me. But layered with a touch of blush, Fawn makes for a lovely plum coloured blush/bronzer that’s perfect for a night out, but for a Spring day, it is just that bit too heavy for my taste.

Overall, I’d give this palette a 6 out of 10. The only saving grace being the quality of the powders; as you can see from my swatches, their pigmentation and opacity rivals cream pigments! But, while the colours aren’t unusuable, they do need to be mixed with other products in order to suit my skin tone.

ABH has since promised a ‘Fair/Light’ kit, which will hopefully include all those shades necessary for sculpting a pale face: white, silver, champagne and taupe.

Either that, or I’ll have to get a spray tan..

Hope you like!

Molly x