Review: Illamasqua’s Embellish Eye Trio

I was sceptical as to whether the huge reduction on this set was because it wasn’t very popular. Was it the case that Illamasqua needed to shift an old bulk order that wouldn’t sell? Surely not… The gel liner? Unpopular??? I can’t speak for the brow gel as before now I’ve stuck to relatively cheap pencils to lightly shade in my eyebrows. But to think that ‘Embellish’ isn’t popular either astounds me. I already own the Vintage Metallix in ‘Courtier’ – a light beige-pink with a soft gold shimmer – and ‘Embellish,’ a medium brown with the same hint of gold, was next on my list.

On reflection, maybe it was just too expensive. The thought of buying this trio at the original price of £49.00 made me sweat a little, so when it was first reduced to £25.00, I added it to my basket. But with reluctance – it was still just that bit too expensive to be a sale bargain (though I then spent £26 on four new eye shadows without a second’s thought *facepalm*). Finally, after a long day at work, I received the email. ‘FINAL REDUCTIONS.’ And there it was. £14.70.

FOURTEEN POUNDS.

Whaaat.

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Bish, bash, bosh (and after a slight skirmish with PayPal), it was mine.

As a quick aside… Illamasqua’s delivery system is second to none, so if you can’t find something in store, don’t hesitate to order it online. I always opt for their free delivery, quoted as 3 – 5 working days, but have received my items within just two days of ordering. You even get a text with the name of your delivery driver and a verrrrry exact ETA (my last one was 11:42 to 12:42).

So these three gems arrived in their swishy presentation box and I was quick to dig in.

Brow Gel in ‘Strike,’ (single pot, £18.50)

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As I said earlier, though I envy those brows ‘on fleek,’ I don’t think a heavily sculpted eyebrow would suit my face and I can’t afford too dark a shade with my complexion and hair colour. When I googled Strike it seemed an ‘okay’ colour – maybe I’d get away with it – but I had a feeling that it would end up getting dusty at the back of my make-up table. But, two weeks in and I’ve used it every day.

‘Strike’ is a medium brown with a cool undertone so it suits my naturally ashy hair perfectly. I’d particularly recommend it for those with bleached or coloured hair like mine – pastels or brights – as it is a ‘safe’ colour, not too dark, not too light, not too blonde, not too brown. ‘Safe’ seems like an awful word, but I mean it in the best way: as much as I’d like to walk around with lilac eyebrows, I haven’t got the guts to bleach and tone them, so for now I need a neutral colour that doesn’t look to obvious.

In terms of application, I use my Sigma E65 Small Angle Brush to apply the gel. It has quite a loose consistency so the smallest dot of product will easily cover one brow. Once it dries, though, it won’t budge. Naturally, some of the gel can stick to your eyebrow hairs so I like to run over them with a spoodle just to remove any excess product.

I would recommend this for those, like me, who are looking to ‘tweak’ their natural brows, either by filling in gaps or neatening edges as the gel, by nature, is well pigmented, but has a semi-satin finish. If you are looking to re-sculpt your brows, then I think a product with a thicker consistency, higher colour pay-off and a matte finish would be better suited – like Illamasqua’s Brow Cakes, which have a powder/paste-like texture and come in a range of colours (‘Strike’ is the only brow gel available at the moment).

Precision Gel Liner in ‘Infinity,’ (single pot, £18.50)

I bloody love this stuff. Compared to the epic fail that was Urban Decay’s Gel Liner, Illamasqua’s version is what dreams are made of.

The key to a good gel liner is its consistency; you need it to be loose enough to apply it in as few strokes as possible to achieve a sharp, fluid line. This liner has a very similar texture to the brow gel in that it applies thinly, but with great, consistent pigmentation. And unlike a liquid liner, the product won’t crack or flake on the eye. I tend to apply my liner in layers, starting with a skinny flick and adding an extra layer until I have the thickness I want; doing this with a liquid liner can lead to cracking as the product begins to dry. And once it’s cracked, with the slightest touch or puff of wind, it begins to flake away.

A gel liner, by comparison, dries with some degree of ‘flexibility’ meaning there’s no risk of unwanted negative space. I’d very highly recommend this for anyone who’s go-to look involves eyeliner, but to get the most out of this product, make sure you buy a suitable brush to apply it with!

Vintage Metallix in ‘Embellish,’ (single pot, £16.50)

The Vintage Metallix are a collection of three gel-like eyeshadows and are amongst the newest products produced by Illamasqua. Each one – Courtier, Embellish and Bibelot – have a muted, ‘vintage’ colouring with a delicate gold shift.

I first bought Courtier, a lovely pink-beige, under the impression that it would act much like MAC’s Paint Pot (mine had turned horribly dry and thick at the time – I’ve rescued it since!). The Metallix can work this way, pigments cling to them particularly well and powder shadows can be easily blended into them, but their intended use is as cream eyeshadows. Once the cream has had time to set, it won’t be going anywhere; the Metallix’s staying power is amazing with and without primer so they’re a good choice for most skin types.

Embellish is, I think , the secret weapon to a smoky eye. If you’re not too confident working with darker shades, I’d definitely recommend this. Its rich chocolate colour is just dark enough to make an impact, but not so dark that it seems to close the eye up, as some deep/black shadows can if not applied just right. The hint of gold lends itself to both day and night looks and can either be exaggerated by adding a gold pigment or muted with darker shadows and lots of liner. With just a dip of the finger and a swipe of the lid, you’re done! There’s no need to fret about placement or blending due to its loose, buttery texture. It really is fool proof!

This set was most definitely a bargain at just £14.70. I’d even stretch to £25.00 (£49.00 still sounds like a lot of money…)! I would wholly recommend each of these products – whether bought separately or in this set – each have their own way of speeding up the getting-ready process.

Would you consider the Embellish Eye Trio?

Hope you like!

Molly x

Review: Urban Decay’s Perversion Mascara and Cream Eyeliner

This post is one of two halves, one glowing review and one not-so-glowing, and not in the order I expected.

Anyone who follows me on Instagram will know that I can’t be without my eyeliner, whereas I usually skimp on mascara and opt for falsies. So it was a huge surprise to me that out of Urban Decay’s ‘Perversion’ range, I would love the mascara and really really really (really) dislike the gel liner. I’m not one for hating on a product, but I feel like I need to share my disappointment in the hope that I bought a ‘dud’ and that someone will point out that I’m completely mistaken.

I guess it’s better to get the negative out of the way first…

Super-Saturated Ultra-Intense Waterproof Cream Eyeliner in ‘Perversion,’ £16.00

Regardless of what I’m about to write, I remain a huge fan of UD’s eye products, particularly their Naked and Vice palettes with their signature pigmented, creamy finish. I therefore can’t understand why I haven’t taken to the Perversion Gel Liner; it seems, to me, to be a bit of a blip for an otherwise great, reliable brand.

I bought this as soon as I saw the glint of glass at the bottom of my Illamasqua liner pot; thinking I’d switch things up (despite my love of Illamasqua’s Precision Gel), I chose UD for its claims to be “super-saturated.” But I was a little suspicious when I first opened the jar and tried to swatch the mixture on my hand. I applied a little pressure, but nothing. My finger was as pale as ever. Maybe a film or crust had settled on top, I thought. So I picked up my eyeliner brush and scratched away at the surface. And I did really did have to scratch… (you can see from this picture below how the mixture isn’t exactly ‘creamy’)

Though I had more success in picking up some colour this way, I was really disappointed with the pigmentation and texture. As you can tell from the pictures, it is not at all ‘saturated,’ but looks more like yesterday’s liner after a few too many vodkas and a lonnnnnng sleep. To achieve the standard opaque finish would take a lot of coats and even then I don’t think it would be possible to achieve a clean, precise line – the mixture is just too thick and solid to work with. I even tried to scoop some out and ‘whip’ it to a smoother consistency, but the product dries almost immediately and begins to crumble, covering my cheeks in flecks of black powder 😥

Has anyone else experienced this? I’ve considered adding a little Fix+ or mixing medium to loosen it up, but I’m afraid this will weaken the colour, making it ‘wishy-washy’ (for want of a better term). Have I just been unlucky with one of a bad batch?

Perversion Mascara, £17.00

I did hesitate before buying the Perversion mascara, but then it began to follow me everywhere… It seemed to crop up in every magazine I read and all over my Facebook page advertised as the best mascara around.

Before now I thought that my eyelashes were beyond help. A couple of years ago I got into the habit of repeatedly curling them after I’d applied my mascara. One day at uni (while I was trying to look my best for a date… bloody typical), a whole bunch from the inner corner of my left eye fell out. And therein began my reliance on false eyelashes. Though my lashes have grown back, they are incredibly weak and poker straight so it’s rare that I find a mascara that doesn’t weigh them down with lumps of product.

Just one coat (!)

Just one coat (!)

But, UD’s Perversion is very different. As it’s so pigmented, one stroke is all you need to blacken your lashes. Unlike its eyeliner counterpart, this mascara really is super-saturated. It also holds well throughout the day; my drugstore mascaras – I mainly use Rimmel – begins to flake after around 4 hours, but Perversion stays fresh for the whole working day.

If UD were to make this mascara even better, I would suggest a double–ended wand. While the current wand is perfect for preventing clumps, it is big and cumbersome, particularly when trying to apply mascara to the lower lashes.

With summer on the way, though, I think it is worth investing in a decent mascara like this one to avoid the struggle of falsies on those sweaty, eye-squintingly sunny days.

How do your experiences with these products compare? Have they entered your ‘essentials’ list?

Hope you like!

Molly x

Follow me on Instagram: http://www.instagram.com/beautsoup

How to Make the Most of Pure Pigments

It’s the perfect time of year for adding a touch of sparkle to your make-up routine and pigments are by far the best way to do so. With Christmas parties and New Years Eve in mind, I recently bought both Beguile – described as “light shimmer” (?) but actually an iridescent white – and Furore – “champagne peach shimmer” – by Illamasqua.

Having swatched them under bright lights in store, the colour and sparkle was self-evident, I had to buy them! But when I applied them to my lids the next day, I was a little underwhelmed by the pay off. So here is a quick guide on how to make the most of your pigments.

Of course, you could just simply apply the powder to your bare skin for a simple, stripped back look, but the party season demands something a little more dramatic. The strength of your pigment depends on the base they are applied to; below I swatched the pigment alone; with Illamasqua’s Sealing Gel; with Illamasqua’s Vintage Metallix in Courtier; and with MAC’s PaintPot in Painterly.

Beguile

Beguile

Furore

Furore

As you can tell from these pictures, the difference is striking. On my pale skin, both pigments, particularly Beguile, are barely visible when used alone and only add a slight shimmer (which could work well as a subtle highlighter, though Beguile is a little less ‘natural’ due to its iridescent pink and green tones).

MAC’s PaintPot was also pretty useless; I initially thought an eyeshadow base like this one would be perfect for pigments, but the formula is too heavy and thick to allow the powder to be distributed evenly.

courtier

For a daytime look, I was looking for a product that would carry my pigment as well as tone down the glitter. My favourite thing to do this would be Illamasqua’s new Vintage Metallix in Courtier (£16.50). This cream-gel is intended to be used alone (Courtier is a gorgeous “vintage nude” with slight gold shimmer) as a smudge-resistant eyeshadow, however it provides a light but opaque, smooth but slightly tacky base – perfect for a layer of pigment!

For nighttime looks, I needed something that would make my pigments ‘pop’ (cringe… but you know what I mean), so I opted for Illamasqua’s Sealing Gel. This dinky bottle may seem expensive at £7, but it’s uses are endless. It is a mixing medium revered amongst make-up artists for turning eyeshadows into liquid eyeliners. However, if you place a few drops on your eye lid, tap with your finger until it becomes tacky. Once your pigment is applied on top, you’ll see an unbelievable transformation: the colour is bright, the shimmer intense and the coverage even (no lumps of gunky glitter clogging your lid).

This is my version of a day and night look using Pure Pigments (Furore on the left, and Beguile on the right):

How do you make the most of your pigments?

For FOTDs and previews of my blog posts, follow my instagram: http://instagram.com/beautsoup

Hope you like!

Molly x

Essential Kit for Perfect Flicks

I discovered eyeliner when I was 14 and proceeded to smudge it all the way around my eye like Avril Lavigne did in her ‘Sk8r Girl’ video. Cringe.

Though a dramatic smoky eye just isn’t smoky enough without a bit of kohl eyeliner, nowadays I prefer the clean, precise lines that only a liquid pen can offer. So I thought I’d scoot through my essential kit for creating the smoothest curves and sharpest flicks.

Revlon ColorStay Liquid Eye Pen, £6.99.

My starting point is always to trace the line I want to follow. No matter how thin and wobbly this initial line may be, it makes it so much easier to thicken later if you have a base to work from.

For this step I always use this liquid eye pen by Revlon. In my experience, these eye ‘pens’ often have a flimsy nib, making it difficult to draw a solid line without awkwardly trying to lay the pen horizontal to the eye, using the side of the nib instead of the tip.

Revlon’s offering is perfectly sturdy, with just the right amount of give as not to feel sharp against the skin. The issue with this pen is that the nib dries out quickly: its coverage is not entirely opaque and can become quite patchy. In a normal beauty review this is obviously a huge no-no, BUT, for the purpose of tracing a line that will later by thickened and defined, this flaw is really a huge bonus. A drier nib means that the flow of product is reduced, making it easier to control where the liner is going without fear of it smudging or bleeding onto the lid (which then ruins the eyeshadow that took so long to blend… we’ve all been there 😥 )

Rimmel ScandalEyes Precision Micro Eye Liner, £5.49.

So now I have traced my line, I begin to thicken it. Whether you want to taper the line as it reaches the outer corner of the eye, or widen it to create a gorgeous flick, this Rimmel eye liner is perfect. Its tip does not come to a point, but a sloped edge. So while it’s outer corner can be used to create ultra-thin wisps, its flatter edge helps draw consistent, thick lines.

Rimmel Glam’Eyes Professional Liquid Liner, £5.29.

Eye pens can sometimes leave a raw, broken edge, particularly when they begin to dry out. To correct this, my last step is to retrace the line with a liquid liner. This Rimmel liquid liner has a super fine brush that glides smoothly over the eyelid to neaten up any unwanted cracks or wobbles and is perfect for creating the sharpest of flicks.

My tip when using liquid liners would be to apply them in long sweeping motions; though the urge is to draw the line bit by bit to be ultra precise, I have found that the most fluid lines are drawn when the liner is applied with as few motions as possible. Having to continually retrace a line in order to smooth out dips and bumps usually results in eyeliner a dozen times thicker than your original line.

With these three steps – trace, thicken and define – you can go wild with shapes and styles like this 60s inspired graphic eyeliner.

So how do you achieve that perfect liner?

Hope you like!

Molly x