Review: Lime Crime’s Venus Palette

Introducing the “newtrals,” Lime Crime’s Venus mixes “Botticelli’s classical painting with the rebellion of the early 90s” to create the grunge palette.

I thought I’d collected my fair share of ‘warm’ eyeshadows: think MAC or Sigma’s ‘Warm Neutrals’ and you think taupes, caramels, the token frosted copper and highlight. But for Lime Crime, warm means deep red, russet and chocolate.

Needless to say, I saw the swatches on Instagram and fell head over heels, but was a little anxious as to how the ‘oranges’ and ‘reds’ (for want of more poetic titles) would translate on my fair skin. The smoked out bruised look may have worked in the 1990s, but this is 2015 and I have to pop in Sainsbury’s without any stares.

So when Santa left this under the Christmas tree, I got to work testing different looks and combinations. Here are my thoughts:

Colour choice: This is the best part of the palette and, perhaps, the most important part. There is a good even range of dark and light shades, all with their own unique tones that are unlike any shadows I’ve tried before. They are, too, surprisingly versatile; Icon and Divine are especially useful for giving a new twist to my go-to looks. That being said, it is worth being careful not to go wild with the reds; blended too far around the eye and it won’t be pretty, more sickly.

The wide range of the colours provided means that there will be at least one that isn’t for you. For me, this is Rebirth, the colour of ‘an overripe nectarine’ (…) or a bold medium orange. It is a beautiful shade, but will not work with my skin tone. Though I do like to use a light dusting on my cheeks over my usual blusher, just to add a different hue.

I would also like Aura to be a little lighter. As the palette’s highlight, for me, Aura would work better as a cream/champagne rather than a gold as I find myself having to brighten it with a whiter shade (usually UD’s Bobby Dazzler). Although, without it’s subtle metallic colour, the palette would be a little flat. The jury’s out!

Pigmentation: Below are the official swatches that I originally saw on Instagram. As you can see the satin shades, Aura and Shell, are particularly bright and bold, and the mattes deep and opaque. Lovely. Though I’d imagine that Doe Deere (the inventor of the palette and owner of those fingers) used some sort of eyeshadow brightener to boost the colours. Lime Crime actually does produce a brightener, but it’s £13.50 and I’d rather spend that amount on a new velvetine.

The pigmentation, then, without such a brightener can vary. Matte shades tend to need two or three coats if they’re going to look as deep and consistent as they do here. I usually cover my eye with NYX’s Jumbo Eye Pencil in Milk to achieve the most ‘true’ colour; the white base serves as a brightener would, but costs almost a third of the price. The Satin shades have a slightly better consistency, but also need a little help from a mixing medium if they’re going to look as bold as they do above.

Texture: The texture reminds me a lot of Sigma shadows. They seem ‘thin’ on the eye. By that I mean weightless, with a velvet feel. While that’s lovely, there is a fine line between that and ‘chalky.’ The mattes, in particular, can feel chalky if applied in layers and do have a fair amount of fall-out (but I’m yet to use a palette that doesn’t).

Special Mentions:

Divine: ‘Dusty Stone’

The rather bleak description does this colour no justice at all. Divine makes the perfect transition shade, but I also like to use it alone to shade my crease for subtle everyday looks. The more it is blended, the more the colour seems to develop from an average taupe to a lovely pink-toned beige. It’s like MAC’s Velvet Teddy in an eyeshadow!

venus

Venus‘The Colour of Bruised Fruit’

It’s UD’s Vice 3’s Sonic, but better. Venus is a gorgeous red-brown with a light satin finish. Despite it’s unusual colour, it is surprisingly versatile and can work with similarly warm tones as well as navy, deep purples and silver. An essential shade for that sultry smokey eye.

Creation: ‘Rust Brown’

I left this colour untouched for a long time assuming that it was too orange-y for me to pull off, until one Sunday afternoon – pjs on and nothing to do – I decided to test it out. I absolutely love it! Creation is an unusual burnt orange colour that looks beautiful when paired with Divine. A must-have for those with green eyes!

In this look, I used Divine, Venus, Creation and a little Icon on my eyes, Aura to highlight my cheekbones and Rebirth as blush:

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What do you think of the Venus palette?

Hope you like!

Molly x

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How to Make the Most of Pure Pigments

It’s the perfect time of year for adding a touch of sparkle to your make-up routine and pigments are by far the best way to do so. With Christmas parties and New Years Eve in mind, I recently bought both Beguile – described as “light shimmer” (?) but actually an iridescent white – and Furore – “champagne peach shimmer” – by Illamasqua.

Having swatched them under bright lights in store, the colour and sparkle was self-evident, I had to buy them! But when I applied them to my lids the next day, I was a little underwhelmed by the pay off. So here is a quick guide on how to make the most of your pigments.

Of course, you could just simply apply the powder to your bare skin for a simple, stripped back look, but the party season demands something a little more dramatic. The strength of your pigment depends on the base they are applied to; below I swatched the pigment alone; with Illamasqua’s Sealing Gel; with Illamasqua’s Vintage Metallix in Courtier; and with MAC’s PaintPot in Painterly.

Beguile

Beguile

Furore

Furore

As you can tell from these pictures, the difference is striking. On my pale skin, both pigments, particularly Beguile, are barely visible when used alone and only add a slight shimmer (which could work well as a subtle highlighter, though Beguile is a little less ‘natural’ due to its iridescent pink and green tones).

MAC’s PaintPot was also pretty useless; I initially thought an eyeshadow base like this one would be perfect for pigments, but the formula is too heavy and thick to allow the powder to be distributed evenly.

courtier

For a daytime look, I was looking for a product that would carry my pigment as well as tone down the glitter. My favourite thing to do this would be Illamasqua’s new Vintage Metallix in Courtier (£16.50). This cream-gel is intended to be used alone (Courtier is a gorgeous “vintage nude” with slight gold shimmer) as a smudge-resistant eyeshadow, however it provides a light but opaque, smooth but slightly tacky base – perfect for a layer of pigment!

For nighttime looks, I needed something that would make my pigments ‘pop’ (cringe… but you know what I mean), so I opted for Illamasqua’s Sealing Gel. This dinky bottle may seem expensive at £7, but it’s uses are endless. It is a mixing medium revered amongst make-up artists for turning eyeshadows into liquid eyeliners. However, if you place a few drops on your eye lid, tap with your finger until it becomes tacky. Once your pigment is applied on top, you’ll see an unbelievable transformation: the colour is bright, the shimmer intense and the coverage even (no lumps of gunky glitter clogging your lid).

This is my version of a day and night look using Pure Pigments (Furore on the left, and Beguile on the right):

How do you make the most of your pigments?

For FOTDs and previews of my blog posts, follow my instagram: http://instagram.com/beautsoup

Hope you like!

Molly x

Review: Urban Decay’s Vice 3 Palette

You could say that I bought this palette by accident, and now I know the meaning of ‘serendipity.’

I was originally looking for Vice 2, released September last year, to add a welcome addition to my palette collection with it’s perfect mix of neutrals and bold pinks and greens. But then I saw this!

In the clam-shell style typical of Vice’s past, this palette comes complete with a full-size mirror and a double-ended synthetic brush (warning: it’s reflective cover holds no mercy when it comes to mucky fingerprints).

The colours are undoubtedly beautiful with four matte transition shades (‘Truth,’ ‘Undone,’ ‘Downfall’ and ‘DTF’) accompanying 16 shimmers. The variation in colours is perfect, with warm tones narrowly out-numbering cooler tones (it is the season for reds, coppers and browns after all!).

My favourite thing about this palette is that, if you take each row separately, it offers a ready-made combination of five colours, each set combining neutrals with an unlikely pop of colour. Champagne meets emerald, taupe meets red.

As always, I have a few complaints. While the shadows have an amazing colour payoff, they are particularly powdery. I’m not sure whether this is more noticeable here because of the number of shimmers (prone to a crumbly texture – think ‘Dust’ from Naked 3) or whether it is an unusual oversight by UD. Regardless, be careful of this excess if you have already applied your foundation and concealer!

I’m also not a huge fan of the brush; the bristles seem too sparse to effectively blend shadows together. Instead, I use it to sweep over my lid when all the blending is done, just to pick up any stray powder that may be lurking there.

Special Mentions:

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DTF: ‘Taupe Matte with Subtle Floating Tonal Pearl’

This is my favourite of the mattes. It is a perfect transition shade for a smoky eye, subtle or dramatic. I think ‘taupe’ doesn’t really do it justice, it has a purple-grey tone in a natural light that blends beautifully with warm and cool colours alike.

Last Sin:Unknown2 ‘Champagne Shimmer with Silver Micro Glitter’

Last Sin was the colour that immediately caught my eye when I lifted the lid; to me, it’s the perfect shade for the festive season and, like DTF, blends well with coppers and browns as well as blues and greens.

Dragon: ‘Bright Metallic Green Shimmer’

I’ve never tried a colour like this before; the thought of green eyeshadow has never really appealed to me, but this colour is gorgeous, whether over the entire lid or just under the lash line. It particularly suits the pink and purple shades in the top row of the palette.

Sonic: ‘Metallic Red-Copper’

I wanted to try out this colour against my skin in anticipation of buying Lime Crime’s ‘Venus’ palette which comprises of these rusty red tones. And I love it! Blended with coppers and golds, Sonic adds something a little bit different to those usual autumn looks.

In this picture I used: DTF (transition); Last Sin (lid); Bobby Dazzler (highlighter); Sonic (lower lash line) and Defy (crease). Lips: Lime Crime Velvetine in Salem (ohmygodthebestlipcolourontheplanet).

Would you consider buying Urban Decay’s Vice 3 palette?

Hope you like!

Molly x

Essential Kit for Perfect Flicks

I discovered eyeliner when I was 14 and proceeded to smudge it all the way around my eye like Avril Lavigne did in her ‘Sk8r Girl’ video. Cringe.

Though a dramatic smoky eye just isn’t smoky enough without a bit of kohl eyeliner, nowadays I prefer the clean, precise lines that only a liquid pen can offer. So I thought I’d scoot through my essential kit for creating the smoothest curves and sharpest flicks.

Revlon ColorStay Liquid Eye Pen, £6.99.

My starting point is always to trace the line I want to follow. No matter how thin and wobbly this initial line may be, it makes it so much easier to thicken later if you have a base to work from.

For this step I always use this liquid eye pen by Revlon. In my experience, these eye ‘pens’ often have a flimsy nib, making it difficult to draw a solid line without awkwardly trying to lay the pen horizontal to the eye, using the side of the nib instead of the tip.

Revlon’s offering is perfectly sturdy, with just the right amount of give as not to feel sharp against the skin. The issue with this pen is that the nib dries out quickly: its coverage is not entirely opaque and can become quite patchy. In a normal beauty review this is obviously a huge no-no, BUT, for the purpose of tracing a line that will later by thickened and defined, this flaw is really a huge bonus. A drier nib means that the flow of product is reduced, making it easier to control where the liner is going without fear of it smudging or bleeding onto the lid (which then ruins the eyeshadow that took so long to blend… we’ve all been there 😥 )

Rimmel ScandalEyes Precision Micro Eye Liner, £5.49.

So now I have traced my line, I begin to thicken it. Whether you want to taper the line as it reaches the outer corner of the eye, or widen it to create a gorgeous flick, this Rimmel eye liner is perfect. Its tip does not come to a point, but a sloped edge. So while it’s outer corner can be used to create ultra-thin wisps, its flatter edge helps draw consistent, thick lines.

Rimmel Glam’Eyes Professional Liquid Liner, £5.29.

Eye pens can sometimes leave a raw, broken edge, particularly when they begin to dry out. To correct this, my last step is to retrace the line with a liquid liner. This Rimmel liquid liner has a super fine brush that glides smoothly over the eyelid to neaten up any unwanted cracks or wobbles and is perfect for creating the sharpest of flicks.

My tip when using liquid liners would be to apply them in long sweeping motions; though the urge is to draw the line bit by bit to be ultra precise, I have found that the most fluid lines are drawn when the liner is applied with as few motions as possible. Having to continually retrace a line in order to smooth out dips and bumps usually results in eyeliner a dozen times thicker than your original line.

With these three steps – trace, thicken and define – you can go wild with shapes and styles like this 60s inspired graphic eyeliner.

So how do you achieve that perfect liner?

Hope you like!

Molly x

A Twist on a Classic: Winged Eyeliner and a Red Lip

This look is a timeless classic: a pared down eye balances a bold lip in a style that’s effortlessly feminine. Still, it’s always fun to play around with shapes and colours.

I began by covering my eyes with MAC’s Pro Longwear Paint Pot in ‘Painterly:’ what I like to think of as a discolouration corrector for the eye in a pale pink beige. With all my eww-y veins and redness hidden, I stuck to a very neutral palette using a matte taupe transition shade, a gold-speckled chocolate colour in my outer v and a frosted mushroom shade on my lid and along my lower lash line.  

To freshen up the look, I added bright white to the inner corner of my eye and brought it up under my eyebrow where it acts as a conventional highlighter. This gives the illusion of a bigger, brighter eye. To add to this effect, I also mirrored my usual winged eyeliner along the outer portion of my lower lash-line.

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For the lips, I stuck to the Monroe-esque red, but added a little deep plum to the centre to create a subtle ombré effect that makes them look full and plump (it also prevents the red-lips-yellow-teeth faux pas).

I’m still on the search for my go-to red lipstick. Being ash-blonde, green eyed and pale skinned, it’s not as simple as choosing what looks like a lovely swatch. So far, my favourite is Shiseido’s Perfect Rouge in RD142 ‘Sublime,’ a richly pigmented cool-toned red.

So how would you put your twist on a classic? Do you have any recommendations for the seemingly elusive ‘perfect red’ lipstick?

Hope you like!

Molly x

Remember to follow me on instagram: beautsoup

Three Looks with: Urban Decay’s Electric Palette

So I got the job! And thought it was only right that I celebrate with a make-up investment. As I’ll be keeping my face relatively neutral for work, why not use Urban Decay’s Electric palette to liven up weekends?

(L-R) Revolt; Gonzo; Slowburn; Savage; Fringe; Chaos; Jilted; Urban; Freak; Thrash

The palette sees the return of ‘Revolt’ – ‘bright metallic silver shimmer with silver glitter’ – and ‘Chaos’ – ‘a bright blue matte with floating tonal pearl’ – along with 8 new show-stopping colours.

Each colour demands attention in its own right, but can also be mixed to create kooky combinations with great results.

Here, I used Fringe in my crease, Freak on my lid and Urban underneath my lower lash-line.

Some reviews that I’ve read have commented on how the brush impedes application, however, I think its thicker-than-average synthetic fibres help to apply the colour evenly. Whereas some brushes tend to hold on to the colour, this double-ended brush is comparatively clean after applying shadow to the eye. The firm bristles also allow for precision application which helps create bold definite lines. Obviously, though, this means that a softer brush may be needed to help blend colours when necessary.

Though all of the colours are undoubtedly amazing in the palette, I’ve found that the pigmentation varies and is, surprisingly, weaker in what first appear as the boldest colours.

Here, I used Gonzo on my lid, but found that three layers of shadow was necessary to achieve a decent colour. Even then the colour is not quite the same as how it appears in the palette: it seems more of a cornflower blue than a ‘bright turquoise.’ By comparison, Slowburn – used under my lower lash-line – has a brilliant colour payoff, so much so that it stains my skin slightly when I remove my make-up!

The palette offers a great range of colours that allows for lots of different looks; however, I think that a matte black or white would have made the palette perfectly rounded. In this final look, I began with a black base (GOSH Mono Eyeshadow in ‘Black 006’) and added Thrash to my inner corner, Chaos underneath my lower lash-line and Revolt on the inner portion of my lid to create a dramatic nighttime look.

Overall, I’d give this palette 8/10. The colours are gorgeous and are, in the main, easy to apply, but their versatility does depend on more neutral colours that can only be supplied by another palette.

What do you think of Urban Decay’s ‘Electric’?

Hope you like!

Molly x

Review: Sigma Warm Neutrals Palette

Cue angel song… Aaaaaah.

Sigma’s Warm Neutrals Palette  presents 12 gorgeous shadows, each with richly pigmented pink, beige and burgundy tones – perfect for Autumn.

I’ve been coveting this for so long. Having already fallen for the versatility of UD’s Naked 3, I thought that this palette – which offers some stronger, exaggerated colours – would allow me to ramp up my neutral go-to looks with a new pop of colour.

(L-R) Oyster Sand; Sugar Milk; Mild Mannered; Dove; Fawn; Cinnamon; Russet; Balanced; Cosy; Innocent; Optimistic; Warm Stone.

The palette (priced at £29.95) offers the perfect mix of matte, satin and frosty shades. The matte shades, like Cinnamon and Cosy, apply like butter and make the ideal transition colours to add some definition to your crease (as below). The satin shades, particularly Oyster Sand and Balanced, have a more powdery texture and so require some patience to get that desired colour payoff. 10736074_10152388374206128_598444932_n

My only complaints would firstly be the smell. Compared to the dizzy heights of MAC’s signature vanilla scent, Sigma’s shadows have a peculiar chemically smell (if I’m absolutely honest, it’s a little like cheap scented tissues), so it’s probably a good thing they are applied a fair distance from your nose.

Secondly, the pigments in the darker colours, like Russet and Warm Stone, while they’re great for creating dramatic looks, can collect in your brushes. Be careful to remove any access (I usually just swipe the brush along my hand) before jumping into the lighter colours or a different palette.

Special Mentions

Oyster Sand: ‘Soft, Light Pink with Periwinkle Undertones.’

This colour is so unique. As the description says, it has a blue/purple shift which picks up the light beautifully. It’s great for lightening the inner corner of your eye, but the ‘periwinkle’ shimmer isn’t neutral enough to work as a highlighter. I’ve also found it hard to make it work with the neutral colours in the palette, but it is amazing with the pinks and burgundies.

Optimistic: ‘Sophisticated Watermelon.’

Prize for the best description ever. To me, this is one step better than UD’s Naked 3’s ‘Dust.’ It’s colour is more exaggerated than ‘Dust,’ with a lovely unusual red base. I’ve always been wary with red eyeshadows as they can make my pale skin look bruised and tired. However, ‘Optimistic’ is the perfect balance of pink and red to add the right level of warmth to any look.

Russet: ‘Deep Burgundy.’

This is another great departure from the usual neutral palette; instead of the conventional greys, taupes and black, ‘Russet’ is the colour for creating an autumn inspired smokey eye.

Date Night FOTD

For this look, I combined my three favourites into a smokey eye, topped off with my must-have flick. I echoed ‘Russet’s’ burgundy colour with MAC’s ‘Sin’ lipstick and Rimmel’s Lasting Finish Nail Polish in ‘Black Cherries 193.’ And voilà!

Would you consider Sigma’s Warm Neutrals Palette?

Hope you like!

Molly x

Bringing Back the Mod Look

I recently came across an article on Harper’s Bazaar’s website that claimed that mod hair is making a comeback (here it is incase you fancy a read). With a hair-cut like mine, there’s hardly room for “envious volume” and a “Bardot-inspired bouffant” so, not wanting the mod revival to pass me by, I thought I’d channel my 60s alter ego with a casual cut-crease and a polo shirt dress.

The Wearable Cut-Crease

Tutorials for the cut-crease abound on Youtube and with good reason: it’s a striking look that allows you to use those eyeshadows that always seem to get neglected in the palette. Because your lid is left pale or relatively light and the colour kept to the periphery, the style can withstand the darkest and brightest of colours without looking carnivalesque.

That being said, for a day-to-day look I opted for light and neutral shades. Below is my tutorial:

Step 1: Apply primer all over your eye, right up to your eyebrow, and sketch out a horizontal tear-drop shape across your lid as I have done here with a kohl eyeliner (I use Rimmel Soft Kohl Pencil in ‘Sable Brown 11’).

modeyeprog1

Step 2: Blend the eyeliner up towards your eyebrow using a similar coloured eyeshadow (I used UD’s Naked 2, ‘Taupe,’ with ‘Busted’ towards my outer v to add a bit of depth). Before I do this, I like to place Sellotape underneath my eye to help me achieve a sharp, straight line.

Step 3: Using a flat eyeliner brush and a thick concealer (I use MAC Studio Finish SPF 35 in NC15) retrace the tear-drop shape to neaten up any unwanted smudging. Apply highlighter just below your eyebrow, making sure to blend this into the eyeshadow you have just applied (I use Rimmel Glam Eyes Mono Eye Shadow in ‘Glam Ice’).

Step 4: Add a light colour of your choice to your lid (I use UD’s Naked 3 ‘Dust’). Using a liquid eyeliner, draw a line from the inner corner of your eye to the outer corner and another that curves up to the tip of the tear-drop shape, like I have done in the first picture.

Step 5: This step really tests your patience, but it is hugely important for the end result: gradually build up your eyeliner to create a thick sweeping line.

Step 6: For a daytime look, I like to keep eyeliner to my upper lash line and only apply the taupe eyeshadow underneath my eye.

Step 7: Finish with mascara, and/or lashes, and voilà!

Looking at photographs of Edie Sedgwick or Mia Farrow, the rest of the face should be kept light, fresh and youthful; I skipped the bronzer and opted for a little blusher at the top of my cheeks (I use No7 Natural Blush in ‘Soft Damson 10’) and used my Glam Eyes white eyeshadow as a highlighter just below my eyes and round towards my ears. I wanted to keep my lips equally pale so I used a very sparing coat of MAC’s ‘Snob,’ a light neutral pink.

Of course, there’s plenty of scope to make a cut-crease more dramatic: you can change it’s shape, it’s colouring and it’s definition, as I have done in this picture. Instead of the tear-drop shape, I’ve flicked out the corner of the arc to mimic my eyeliner; added UD’s Naked 2 ‘Blackout’ to my crease; and brought the eyeliner underneath my eye into a point at the inner corner to create a cat-eye effect.

The Outfit

modoutfit

Dress, Cooperative at Urban Outfitters;

Shoes, Dr Martens (Polley); Jacket, Barbour.

For this look, with quite intricate make-up, I wanted to wear something that was a little boyish, but at the same time feminine (a style typical of Twiggy with her pixie cut and boxy, short dresses). My polo shirt dress is perfect; though it’s colour and shape first appears simple, the material falls perfectly to create a feminine silouhette. My oversized Barbour jacket and Dr Martens, both iconic in men’s mod fashion, add a clunky, kooky feel to counter my dress, bringing the look into the twenty first century.

What elements of mod fashion will you be adopting this autumn?

Hope you like!

Molly x

Three Looks with: Urban Decay’s Naked 2

With the cold weather setting in, the taupe-hued neutrals of Urban Decay’s Naked 2 palette are perfect for autumn. Here are three different looks that move from a minimal day time effect to my go-to cat-eye and then something a little more dramatic.  

     Look One:

   – Tease blended from the outer  to inner crease and on the outer lower lash line.

Chopper on the outer portion of my lid and the middle lash line.

Half-Baked on the inner portion of my lid and inner lash line.

Booty Call along my brow bone and in the inner corner of my eye.

I’m not sure if Foxy is intended to be the palette’s highlighter, but on my (very) pale skin the yellow tones tend to make me look a little ill so I prefer to use Booty Call or, even better, Rimmel’s Glam Eyes Mono Eye Shadow in 100 Glam Ice (£4.49).

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Look Two:

Here, I just added to the colours used in Look One:

YDK (my favourite) into my crease and under my eye.

– Busted into my outer v.

– Chopper across the whole of my lid.

– Snakebite on my inner lower lash line.

Using Revlon’s Colorstay Liquid Eye Pen (£6.99), I traced a thin line along my lid (avoid drawing the eyeliner too close to the inner corner of your eye. This can make the eye look smaller if not balanced with an equally intense colour in the outer corner, as in Look Three). I use this eyeliner almost everyday so the tip is too blunt to achieve a precise flick. For that I recommend Rimmel’s Glam Eyes Liquid Eye Liner (£5.29) which has an extra thin brush – perfect for the sharpest of points!

  Look Three:

I don’t often have the time (or the patience) to risk attempting a full-on smoky eye, but when I can be bothered I always love how dramatic it looks.

The neutral colours in the palette are fairly tame: the darkest colour Blackout stands out against the subtle beiges and coppers that go before it so the key to this look is blending!

Adding to Look Two, I used:

Busted along my crease and blended up towards the brow bone.

– I stuck Sellotape along my outer eye to help me achieve a nice sharp line and then blended Blackout into my outer v towards the centre of my lid, up towards the outside of my eyebrow and finally under the lower lash line (I intentionally didn’t go too close to the root of my eyelashes so I could still see a little glimmer of Snakebite underneath my eye).

– To slightly soften the intensity of Blackout, I blended it out under my brow bone using Tease and then reapplied Booty Call as a highlighter.

I brought the eyeliner right to the inner corner of my eye, thickened the line across my lid and widened my flick for a more dramatic look. As you can tell, my eyelashes in Look One are considerably less long and lovely than in Two and Three (*sad face); I’ve been trying out Rimmel’s new ‘Wonderfull’ mascara (£7.99) but usually give in and opt for falsies. I used Eylure’s Naturalites Lashes 070 (£5.39) in Looks Two and Three, they’re a versatile length that suits both daytime and nighttime looks.

Hope you like!

Molly x